Part of the experience of a photographer shooting film is handling the negatives for the purpose of examining the quality of one's work. I have noticed on numerous occasions how the negative image in itself can be equally as beautiful and interesting as the positive version. In many cases a day scene can resemble a night scene with dramatic lighting.

In Organics, I examine the positive and negative views of the same still life scenes. I believe both the positive and negative hold their own allure.